Next Event
14th and 15th March 2026
Season 2025-26
Faroese Symphony Orchestra (Music Director from 2026)
Orchestre National de Bordeaux Aquitaine
Jury member, Besançon competition
Berlin Youth Orchestra
OFUNAM Mexico City
OJUEM Mexico City
Orchestre Victor Hugo Besançon
Orquesta Filarmónica de Jalisco
CBSO wind ensemble
Orchestre de Chambre Nouvelle-Aquitaine
Deutsches Sinfonieorchester Berlin
Underground Youth Orchestra, Athens
Mexico City Philharmonic
Boreo Fest, Chihuahua, Mexico
Ensemble Musikfabrik
Munich Chamber Orchestra
Bilbao Orkestra Sinfonikoa
Musikhochschule Lübeck Symphony Orchestra
Orquestra Simfònica del Vallès
Orquesta Sinfónica de Xalapa
Philharmonie Südwestfalen
Brandenburgisches Staatsorchester Frankfurt
Amicus Orchestra
Next concerts
31st January and 1st February 2026
Sala Silvestre Revueltas, Mexico City
Haydn: Symphony No. 60 (“Il Distratto”)
Clyne: Sound and Fury
Schumann: Symphony No. 2
Mexico City Philharmonic
6th and 7th February 2026
Nordic House, Tórshavn
Concerts with Kim Hansen
Faroese Symphony Orchestra
9th – 14th February 2026
Chihuahua, Mexico
BóreoFest
13th February 2026, 8pm
Teatro da Cámara, Chihuahua
Mozart: Gran Partita
Stravinsky: Symphonies of Wind Instruments
Shostakovich, arr. Walter: Jazz Suite
Winds of the Chihuahua Philharmonic Orchestra
14th February 2026, 8pm
Sala de Ensayos, Chihuahua
Mendelssohn: Konzertstück
– Soloists: Iván Mancera and Evelyn Briones
Weber: Bassoon concerto
– Soloist: Martín Domínguez
Beethoven: Symphony No. 1
BóreoFest Festival Orchestra
Catherine Larsen-Maguire
After a successful career as a bassoonist, which included ten years as principal at the Komische Oper Berlin, Catherine Larsen-Maguire turned her focus to conducting in 2012, and has since then become a sought-after conductor and a regular visitor to orchestras and ensembles in many parts of the world.
In June 2023 she was named as the first Music Director of the National Youth Orchestras of Scotland, a position she held for two years, and in January 2026 she will commence a four-year period as Music Director of the Faroese Symphony Orchestra.
Highlights of recent seasons include concerts with the London Philharmonic, Royal Northern Sinfonia, BBC National Orchestra of Wales, the Berlin Radio Symphony Orchestra, the Orchestre du Capitole de Toulouse, the Orchestre de Chambre de Paris, the Orquesta Sinfónica de Galicia, the Hong Kong Sinfonietta, the Jerusalem Symphony Orchestra, the Orchestre de Chambre de Genève, and a new production of “Don Giovanni” at the Mecklenburg State Theatre in Schwerin.
The season 2025-26 sees debuts with, among others, the Orchestre National de Bordeaux, the Deutsches Sinfonieorchester Berlin, the Munich Chamber Orchestra, the Bilbao Symphony Orchestra and the Simfònica del Vallès in Barcelona.
Catherine also has a special interest in contemporary music, and has directed the first performances of numerous works, including Alexander Goehr’s last orchestral work, “The Master Said”, with the BBC National Orchestra of Wales. Other ensembles with which Catherine has collaborated include Ensemble Musikfabrik, Ensemble Ascolta, Klangforum Wien, the Royal Liverpool Philharmonic 10:10 Ensemble and the Birmingham Contemporary Music Group. In September 2021 she made her debut with Ensemble Modern at the Berlin Music Festival, and in April 2022 she conducted a joint project with the Scottish Ensemble, Ensemble Resonanz and the Trondheim Soloists in the Barrowland Ballroom Glasgow.
With a passion for mentoring the next generation of musicians, and placing great emphasis on working with young people both as conductor and educator, Catherine has given masterclasses in Germany, the UK, Mexico, Brazil, Israel and Spain, serves regularly as a jury member for conducting competitions, and was a guest professor at the University of the Arts in Berlin. Youth orchestras she has worked with include the Young Israel Philharmonic, the Orchestra of the Colburn Conservatory in Los Angeles, the Underground Youth Orchestra in Athens, the Berlin Youth Orchestra and the Eduardo Mata Youth Orchestra in Mexico City.
Born in Manchester and now based in Berlin, Catherine read music at Cambridge University and studied the bassoon at the Royal Academy of Music in London, with Klaus Thunemann in Hanover, and at the Karajan Academy in Berlin, playing regularly in the Berlin Philharmonic during this time. Important influences on the development of her conducting career were John Carewe, George Hurst and Vladimir Jurowski, whom she assisted on several occasions early in her career.